Deyi (Evelyn) Zeng
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Artist Statement

Born with Tetralogy of Fallot, I have relied on medical care to stay alive. The treatments that sustain me have also altered my body and my sense of ownership over it, leaving traces that extend beyond visible scars.

Through photography, medical objects, and biological models, I explore how care and constraint coexist within medicine. My work gives form to the uncertainty of living in a body that feels intimately mine, yet remains dependent on interventions beyond my control.

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Us 小双16mm Bolex Short Film2022

About the film

Us explores the shifting boundary between the self we recognize and the roles we inhabit. Shawn frequently misplaces his belongings and buys replacements, only to rediscover the originals. As identical objects accumulate around him, an ordinary habit becomes increasingly unsettling—until he encounters another version of himself.

Through repetition and doubling, the film gives physical form to the tensions of adapting to social expectations. Its male and female protagonists embody different expressions of one person, revealing how identity can be concealed, divided, and performed. Beneath these overlapping selves lies a question: when we move between the people we are expected to become, what happens to the person we understand ourselves to be?

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Mom’s Film Camera妈妈的胶片机Music Video2024

About the film

Directed by Deyi (Evelyn) Zeng, in collaboration with Echo Ding (Berklee College of Music) and dancers from Boston Conservatory at Berklee.

Credits
Lyrics & Music
Echo Ding
Director & Videographer
Deyi (Evelyn) Zeng
Director of Photography & Editor
Edison Gao
Choreography
Yulia Maeda, Sasha Powers, Sofia Pargas
About the artist

Deyi Zeng

Deyi (Evelyn) Zeng (b. 2003) is a Chinese visual artist from Beijing based in Chicago. She received her BA in Media Arts Production from Emerson College and is pursuing an MFA in Photography at the School of the Art Institute of Chicago.

Through photography, installation, and archival materials, she examines how illness and migration affect a person’s sense of identity and home. Her work imagines a time before memory takes shape, when experiences the mind cannot recall may already have left their traces in the body.

Her work has been exhibited at Heaven Gallery and the Zhou B Art Center in Chicago, the University of Arkansas School of Art in Fayetteville, Echo & Frame Art Space in Shanghai, and Beijing’s 798 Art District.

Curriculum vitae

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